She says, I feel good on antiques

Maybe everyone envies curves, but there are also those who are delicate and look at their bodies and say: I feel good. Julia Slip is such a creature. A model from Russia who has great self-confidence, she knows that you see her naked and you desire her and that is precisely why she captivates you. In Max Zadorny's lens, she doesn't try to impress. She doesn't have to. She is there, naked, voluptuous. In a room that smells of the past and passion: an old wooden sofa, a desk that could hide love letters from other eras. The light bathes her slender body. The shadows highlight her simple flesh, like a call to a deeper beauty. Her small breasts are erect and full of freshness. As if her youthful bosom had just blossomed, without even having time to look at him. Her thighs are small, all muscled, if they had more flesh they might have been deformed.

He sees her slender body and says, I feel good

Every pose she takes is an erotic invitation. Her body speaks and says that passion does not only belong to voluptuous women. Julia poses hugging the desk, as if it is what inspires her and lights her erotic flame. Then she bends over, sits on the sofa, her long fingers caressing the old skin. Her knees fold, leaving an opening that is not obscene, but provocatively natural. The project has a contradiction that makes it irresistible. Her body is childishly innocent, but her gaze is that of a woman who is on fire and wants to burn you too. Her slender body does not diminish her erotic dynamism. On the contrary, it magnifies it. She gets up. She goes to the desk. She leans against it. With her legs bare, with her hair falling around her face. She is like an apparition that entered that room to leave the marks of desire, on the furniture and on souls. A lean body, when you see it, you burn and say, I feel good.